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  GALLERY EXHIBITIONS:
Call 2 Arms
JULY 2012 - SEPTEMBER 2012
Call 2 Arms is Eddie Peake's second exhibition at Galleria Lorcan O'Neill Roma. It opens with large spray paintings of faces rendered in vivid colours, made using the  negative space left by plastic bags and scarves. Also included are highlighter-coloured paintings on steel panels. 
EDDIE PEAKE
SEPTEMBER 2010 - SEPTEMBER 2010
Street View Project
On Friday 3 September 2010, Galleria Lorcan O'Neill Roma will open the third show of Street View program in the gallery's secondary space on the corner of Via Orti d'Alibert and Via della Lungara, with a project by English artist Eddie Peake.

  OTHER EXHIBITIONS:
Amidst A Sea Of Flailing High Heels And Cooking Utensils, part 2
JULY 2012 - JULY 2012
Chisenhale Gallery, London
A one-night event devised by Eddie Peake. The piece features an original live musical composition and an ensemble of male and female dancers. Eddie Peake's performance is presented in co-operation with Tate Modern and follows the related performance, Amidst A Sea Of Flailing High Heels And Cooking Utensils, part 1 which took place on Saturday 21 July 2012.
Amidst A Sea Of Flailing High Heels and Cooking Utensils, part1
JULY 2012 - JULY 2012
The Tanks, Tate Modern, London
Eddie Peake presents a new performance made especially for the Tanks. He works with bodies, movement and music, playfully exploring physical form in all its manifestations.
The event coincides with the opening of the Tanks, the new space at the Tate Modern. The performance is presented in co-operation with the Chisenhale Gallery, London.
Touch
MARCH 2012 - MARCH 2012
Royal Academy of Arts, London
A performance at the Royal Academy of Arts where Eddie Peake is completing his Master's Degree. The performance, called Touch is a 30-minute game of naked five-a-side football.
Cell Projects, London Dem 2012
MARCH 2012 - MARCH 2012
A solo project by Eddie Peake: it is a rolling performance playing with the typical conventions and format of a solo show in a gallery. Eddie Peake has used edited VHS footage from his own family archive as a central point of departure, but where one might ordinarily expect to find video played on a loop in a gallery, invites the audience to request it to be played from the beginning, or not.