Martin Creed’s new wall paintings were especially conceived for the gallery so as to create a pinstriped space where the viewer loses his conception of depth and gravity.

Simon Popper’s installation covers the gallery walls with linen canvases of various sizes, each representing a specific type of bird, from ostriches to parrots, finches to ducks.

Using Italian stones and Tiber River mud, Richard Long poses primary shapes as symbols of universal culture found both in the host place and also in relationship between man and nature.

Perentorio includes photography, glass, and ceramics. Using his body to portray allegorical figures, Ontani draws from literature and myth to captures their attributes in his work.

Matvey Levenstein presents works strictly related to the city of Rome - his still lives start from his own snapshots of the city, and are carefully executed so as to reveal no brush marks.